A rich teenage runaway and a group of street hustlers who both seek to find a place for themselves in the world.Manila at night is teeming with possibility – of danger but also of tenderness. UNO meets distressed teenager ZION in a bus terminal and bonds in their brief encounter. Two years later, they meet again as hustlers booked by the same client. The night turns sour when Uno’s friend, Miguelito is found overdosed by his client. Zion reveals to Uno and his buddies, Bayani and Rush that before he passed away, Miguelito’s dying wish: to take him home. Together, they lug around Miguelito’s body around the city to the countryside, via buses and highways. With each step, the conclusion becomes clearer: that there is no place in the world for these kids, except with each other. Despite their differences, they have become forged into a singular pack of brothers.
Some Nights I Feel Like Walking is both intimate and wide in scope, capturing the layered realities of today’s LGBTQ+ experience in the Philippines—especially for those who live discreetly. It’s raw, emotional, and visually stunning, with cinematography so beautiful it often feels like you’re watching a moving painting.
The first half grips you with strong storytelling, pulling you into the characters’ emotional world. By the second half, though, the film shifts gears into more of a road movie, letting the characters drift along with their journey. It’s looser, yes, but it still carries weight, digging into themes of friendship, belonging, and chosen family.
What makes it stand out is how it portrays modern queer identity through a distinctly Filipino lens. It’s an arthouse film with Pinoy heart—stylish yet grounded, tackling found family and community against the backdrop of Manila. The dreamy visuals, paired with a moody soundtrack, leave you soaking in its atmosphere long after the credits roll.
The cast is another highlight. Jomari Angeles and Miguel Odron give heartfelt, layered performances that feel natural and lived-in. Every character adds something, giving the story texture and soul.
If there’s a weak spot, it’s that the narrative loses some of its tightness in the second half. But even with that, Some Nights I Feel Like Walking stands as one of the most striking queer films in Philippine cinema—stylish, heartfelt, and resonant, with an appeal that can cross international borders.
Verdict: A modern queer film that’s as beautiful to look at as it is to feel. Imperfect, yes, but unforgettable.
My Verdict: 4.5/5
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