Mikoy Morales, Pat Tingjuy, Dolly De Leon Received Acting Awards
Animated film Iti Mapukpukaw made history as it brought
home the Balanghai trophy for Best Film in the Full-Length Category of
the 19th Cinemalaya Philippine Independent Film Festival.
The
film directed by Carl Joseph Papa was cited for “for boldly taking on
the challenges of technology in crafting a very engaging narrative of a
young man confronting the demons of his past, and for its overall
cinematic excellence.”
Meanwhile,
Januar Yap’s Sibuyas ni Perfecto won the Best Film in the Short Film
Category for its “quiet but coruscating take on social iniquity and how
the poor’s exploitation by the rich is driven by their own denigration
and self-abasement.”
Best
Director Balanghai trophies go to filmmakers Ryan Espinosa Machado and
Mike Cabarles. For his film Huling Palabas, director Machado has
effectively summoned “the resources of art to come up with a deeply
personal film that evokes fond memories of pre-digital cinema while
paying homage to one’s small-town roots, and how all of this contributes
to fashioning self-respect and self-identity.”
Director
Mike Cabarles, on the other hand, employed “the resources of cinema in
effectively evoking the loneliness of two brothers missing their mother
whom they have lost to the sea” in his film Makoko sa Baybay.
Jopy
Arnaldo’s Gitling and Arvin Belarmino’s Hinakdal received the Best
Screenplay awards. The film Gitling was cited for “its very tender tale
of two persons bridging the divide between races and cultures and,
through constructed language and through silence and even evasion,
coming to a poignant understanding of the heart.”
Hinakdal,
co-written by Belarmino and Kyla Romero, won the award for the “very
striking narrative that remakes the horror genre while humanizing
zombies and endowing them with heart and soul.”
NETPAC
(Network for the Promotion of Asia Pacific) Awards went to Iti
Mapupukaw and Hinakdal. The full-length film by Papa was praised for
“its finely nuanced, masterfully crafted, tale of healing, friendships
and young love, effectively utilizing state-of-the-art technology that
is integral to its storytelling.” Citation for the short film Hinakdal
mentioned “its pithy, layered and strong social commentary laced with
dollops of humor.”
Actor
Mikoy Morales and actress Pat Tingjuy were cited for their Best
Performance of An Actor and An Actress, respectively. Morales won the
jury’s nod for “his compelling performance of a charming but predatory
womanizer who gets his just desserts” in the film Tether; while Tingjuy
won the award for “her refreshing portrayal of a young girl coming to
terms with her sexual identity as she comes of age in the exciting world
of volleyball.”
Actres
Dolly de Leon and actor Bon Andrew Lentejas won the Best Performance of a
Supporting Actress and Actor, respectively. Dolly de Leon, who starred
in the film Iti Mapukpukaw, was recognized for her “pellucid performance
of an affectionate mother helping her son confront the demons of his
past.” Meanwhile, Lentejas got the award for his “engaging portrayal of a
young man trying to understand his best friend’s difficult ways as the
latter comes of age” in Huling Palabas.
Technical awards include:
BEST
EDITING – Ilsa Malsi (Rookie), for “effective splicing and intercutting
that unravels a girl’s coming-of-age in the exciting world of
volleyball.”
BEST
CINEMATOGRAPHY – Martika Escobar (When This Is All Over), for her
“effective camera work and lighting to depict the world of drugs and the
lifestyle that sustains it.”
BEST
ORIGINAL MUSICAL SCORE – Kindred, composed of Justin Punzalan, Vince
Dalida, Luis Montales, Jaime San Juan, Moses Webb, Fern Tan, Jorge Juan
Wieneke V, Othello Intia, (When This Is All Over), for “its original
musical soundtrack that helps propel its depiction of the drug
subculture obtaining in high condominium living.”
BEST
PRODUCTION DESIGN – KAYE BANAAG (When This Is All Over), “for
successfully conjuring the contrasting worlds of affluence and want in
condominium living.”
BEST
SOUND – Gian Arre (Tether), “for its effective sound design in which
both noise and silence are melded well together to heighten
psychological realism.”
Special
Jury Prize winners were: Dustin Celestino’s Ang Duyan ng Magiting,
cited for “its trenchant portrait of the wages of political violence,
for its highly discursive and dialectical take on the culture of
impunity that seems to have entrenched itself in Philippine politics,
and for arousing among audiences awareness on the need to come to grips
with the country’s escalating political violence”; and Sam Villa-Real
and Kim Timan’s Hm Hm Mhm, for “its boldly experimental verve to depict a
woman revisiting the darker aspects of her childhood.”
Special
Award was given to Ang Duyan ng Magiting for Best Ensemble Acting, for
its actors “powerful acting that credibly renders the opposing
viewpoints in the history of political violence and culture of impunity
that seem to have bedevilled the Philippines since the turn of the new
century.”
Hinakdal and
Rookie won the hearts of the Cinemalaya theater goers and audiences,
receiving the Audience Choice Award for Short Film and Full-Length
categories, respectively.
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