Movie Review: Animal

A seemingly ordinary day in a small, unnamed province in the Philippines takes an unexpected turn when Lily, the mayor’s daughter, returns home with a compromising video involving the governor. As the mayor scrambles to protect his longtime ally from scandal, tensions begin to rise within his own household. His wife, Ofel, sees an opportunity to expose the truth to the governor’s wife, while Lily threatens to make the video public unless the governor gives her his beloved dog.

Animal immediately stands out with its weird, strong screenplay and crazy unpredictability. These are the elements that make the film so compelling. Playing with the title, the film asks us to look at ourselves as human beings—because sometimes, we can be animals too, and perhaps even worse.

What I particularly love is how the film uses animals as a metaphor and how the story continuously circles back to that idea. It explores both the love we have for animals and the “animals” that exist within our society. Beneath its dark humor and absurd situations is a sharp commentary on human behavior, morality, power, entitlement, and corruption.

Maxine Ignacio fully embraces her character as a crazy, weird, and entitled nepo baby. Yes, Lily clearly loves animals, but her morals are questionable, and that contradiction makes her character even more interesting.

Frances Ignacio also fully embodies her character as an overly indulgent mother. She brings a certain energy to the role that makes her character both frustrating and entertaining to watch.

But Bituin Escalante absolutely shines with her powerhouse performance. Her range is incredible! She can effortlessly make you laugh one moment and then turn into a serious dramatic actress the next. Hands down, she is a strong contender for acting nods come awards night.

Jojit Lorenzo, meanwhile, proves once again what a great actor he is. His portrayal of a subtle, corrupt politician is restrained but effective, making his character feel more believable precisely because he doesn't have to overplay the corruption.

Anthony Falcon also does well as the straight-minded veterinarian—the character who seems to be the only one with some semblance of sanity and common sense amid all the madness surrounding him.

But ultimately, the biggest weapon of Animal is its screenplay, story, and dialogue. The writing feels strong, deliberate, and carefully thought out. The sharp and memorable dialogue gives the film its own identity and allows it to stand out on its own.

Animal is weird, unpredictable, funny, uncomfortable, and at times completely absurd—and that is exactly what makes it work. It uses its title not simply as a label but as a reflection of human nature. Because sometimes, the real animals aren't the ones we see on four legs.

My Verdict: 5/5