The film follows Jonalyn Samuel, a former executive assistant who has lived in quiet isolation years after enduring persistent sexual harassment at work. Her life changes when a passionate lawyer convinces her to finally take legal action against her powerful former boss, a respected CEO. Initially hesitant, Jonalyn finds courage in the promise that today’s more socially conscious generation will rally behind her. True enough, she gains widespread support on social media—but what begins as a source of hope soon becomes another form of torment, as she is vilified and painted as a perpetrator rather than a victim.
It’s a straightforward story that doesn’t dress up its subject matter with flashy techniques or stylistic flair. The real weight lies in its message: how reporting harassment often forces survivors to relive their trauma, not just in the courtroom but also in the harsh judgment of the public. The film makes a cutting observation—that even those closest to you may exploit your pain. It highlights how even those closest to a victim can have complicated, self-serving motives—showing that true allies are often hard to find
Rissy Robinson delivers a subtle yet effective performance in the lead role, grounding the film with quiet authenticity. The storytelling, however, leans toward a TV-style approach—functional, direct, but not particularly inventive—so it doesn’t stand out in form. Still, its strength lies in holding up a mirror to society, exposing how public trials often transform into public dramas that wound victims all over again. The execution may be simple, but the message is clear, urgent, and necessary.
My Verdict: 3/5
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