Movie Review: Sunshine

Sunshine is a heavy watch—but as a “Ka-eme,” it’s worth sitting through. The film tackles a tough and taboo topic, something rarely explored in local cinema, and it does so in a creative yet grounded way.

 

Maris Racal delivers a strong and nuanced performance. I’ve always known she could act, and she really proves it here. But it’s Annika Co, the child actress, who is a real revelation—so natural and effortlessly steals every scene she’s in. Elijah Canlas and Xyriel Manabat also give memorable performances, as expected. Even the ensemble of theater and character actresses shine in their brief appearances—everyone brought their A-game.

I believe the character of Annika—the child—is a symbolic representation of Sunshine’s future daughter or even her conscience. That added layer made the story even more meaningful.

Another aspect I appreciated is how the film becomes a journey through Manila itself—from PhilSports Complex to Quiapo, UST, Avenida, Recto, all the way to Fabella Hospital. It doesn’t shy away from showing the rawness, chaos, and reality of the city. It also critiques the hypocrisy of certain religious figures and institutions, which was bold and necessary.

The film ends on a powerful, open note—leaving the audience with complex emotions about choice, motherhood, and survival. It’s a painful decision, but one grounded in Sunshine’s reality. Jennica Garcia, who plays a single mom, also deserves praise—her performance is natural and grounded. The scene where Maris takes care of her baby niece is especially touching. Sunshine doesn’t hate children—she just isn’t ready to be a mother yet, and the film makes that clear with compassion.

 

My Verdict: 4/5