The final installment in the trilogy that began with Heneral Luna (2015) and Goyo: Ang Batang Heneral (2018), Quezon delivers a compelling and introspective portrait of President Manuel L. Quezon’s relentless pursuit of power and independence. As he navigates the brutal game of politics—where charm, loyalty, and manipulation serve as both weapons and currency—Quezon emerges not only as a visionary leader but also as a flawed architect of the political culture that continues to shape the nation today.
The storytelling is well thought out—nonlinear yet effectively told. The filmmakers skillfully use the art of cinema not just as a storytelling device but as a reflection of how film itself was once used as propaganda to influence political narratives of the era. Quezon becomes both a historical mirror and a cinematic commentary, showing how politics had already become firmly rooted even during the country’s formative years. In many ways, the film lays out the blueprint of the political dynamics we still see today.
Jericho Rosales delivers a flawless and commanding performance as Manuel Quezon, fully embracing the complexities of the man behind the statesman. Mon Confiado once again impresses with his electrifying portrayal of Emilio Aguinaldo—vivid and layered in high color. Karylle shines as Aurora Quezon, serving as the emotional core of the film. Her quiet strength and heartbreaking tenderness add depth and humanity to the political storm surrounding her.
The supporting ensemble is equally strong, with remarkable performances from Angeli Bayani, Romnick Sarmenta, Benjamin Alves, Chris Villanueva, JC Santos, and Arron Villaflor. Each actor contributes meaningfully to the intricate web of loyalty, ambition, and sacrifice that defines the narrative.
On a technical level, Quezon stands out as one of the most polished and visually stunning Filipino films of the year. The cinematography is crisp and expressive, with shot compositions that enhance the film’s grand yet intimate tone. The production design is meticulous, capturing the elegance and atmosphere of the pre-war era down to the smallest detail. The music and score heighten every scene, guiding the audience through emotional highs and political tensions with precision.
In the end, Quezon is not only a fitting finale to TBA Studios’ historical trilogy but also a cinematic experience worth savoring on the big screen. It reminds us of our past, challenges us to reflect on the legacy of our leaders, and compels us to recognize how history continues to shape our present.
My Verdict: 5/5
No comments:
Post a Comment