Mikoy Morales, Pat Tingjuy, Dolly De Leon Received Acting Awards
Animated film Iti Mapukpukaw made history as it brought 
home the Balanghai trophy for Best Film in the Full-Length Category of 
the 19th Cinemalaya Philippine Independent Film Festival.
The
 film directed by Carl Joseph Papa was cited for “for boldly taking on 
the challenges of technology in crafting a very engaging narrative of a 
young man confronting the demons of his past, and for its overall 
cinematic excellence.”
Meanwhile,
 Januar Yap’s Sibuyas ni Perfecto won the Best Film in the Short Film 
Category for its “quiet but coruscating take on social iniquity and how 
the poor’s exploitation by the rich is driven by their own denigration 
and self-abasement.”
Best
 Director Balanghai trophies go to filmmakers Ryan Espinosa Machado and 
Mike Cabarles. For his film Huling Palabas, director Machado has 
effectively summoned “the resources of art to come up with a deeply 
personal film that evokes fond memories of pre-digital cinema while 
paying homage to one’s small-town roots, and how all of this contributes
 to fashioning self-respect and self-identity.”
Director
 Mike Cabarles, on the other hand, employed “the resources of cinema in 
effectively evoking the loneliness of two brothers missing their mother 
whom they have lost to the sea” in his film Makoko sa Baybay.
Jopy
 Arnaldo’s Gitling and Arvin Belarmino’s Hinakdal received the Best 
Screenplay awards. The film Gitling was cited for “its very tender tale 
of two persons bridging the divide between races and cultures and, 
through constructed language and through silence and even evasion, 
coming to a poignant understanding of the heart.”
Hinakdal,
 co-written by Belarmino and Kyla Romero, won the award for the “very 
striking narrative that remakes the horror genre while humanizing 
zombies and endowing them with heart and soul.”
NETPAC
 (Network for the Promotion of Asia Pacific) Awards went to Iti 
Mapupukaw and Hinakdal. The full-length film by Papa was praised for 
“its finely nuanced, masterfully crafted, tale of healing, friendships 
and young love, effectively utilizing state-of-the-art technology that 
is integral to its storytelling.” Citation for the short film Hinakdal 
mentioned “its pithy, layered and strong social commentary laced with 
dollops of humor.”
Actor 
Mikoy Morales and actress Pat Tingjuy were cited for their Best 
Performance of An Actor and An Actress, respectively. Morales won the 
jury’s nod for “his compelling performance of a charming but predatory 
womanizer who gets his just desserts” in the film Tether; while Tingjuy 
won the award for “her refreshing portrayal of a young girl coming to 
terms with her sexual identity as she comes of age in the exciting world
 of volleyball.”
Actres 
Dolly de Leon and actor Bon Andrew Lentejas won the Best Performance of a
 Supporting Actress and Actor, respectively. Dolly de Leon, who starred 
in the film Iti Mapukpukaw, was recognized for her “pellucid performance
 of an affectionate mother helping her son confront the demons of his 
past.” Meanwhile, Lentejas got the award for his “engaging portrayal of a
 young man trying to understand his best friend’s difficult ways as the 
latter comes of age” in Huling Palabas.
Technical awards include:
BEST
 EDITING – Ilsa Malsi (Rookie), for “effective splicing and intercutting
 that unravels a girl’s coming-of-age in the exciting world of 
volleyball.”
BEST 
CINEMATOGRAPHY – Martika Escobar (When This Is All Over), for her 
“effective camera work and lighting to depict the world of drugs and the
 lifestyle that sustains it.”
BEST
 ORIGINAL MUSICAL SCORE – Kindred, composed of Justin Punzalan, Vince 
Dalida, Luis Montales, Jaime San Juan, Moses Webb, Fern Tan, Jorge Juan 
Wieneke V, Othello Intia, (When This Is All Over), for “its original 
musical soundtrack that helps propel its depiction of the drug 
subculture obtaining in high condominium living.”
BEST
 PRODUCTION DESIGN – KAYE BANAAG (When This Is All Over), “for 
successfully conjuring the contrasting worlds of affluence and want in 
condominium living.”
BEST
 SOUND – Gian Arre (Tether), “for its effective sound design in which 
both noise and silence are melded well together to heighten 
psychological realism.”
Special
 Jury Prize winners were: Dustin Celestino’s Ang Duyan ng Magiting, 
cited for “its trenchant portrait of the wages of political violence, 
for its highly discursive and dialectical take on the culture of 
impunity that seems to have entrenched itself in Philippine politics, 
and for arousing among audiences awareness on the need to come to grips 
with the country’s escalating political violence”; and Sam Villa-Real 
and Kim Timan’s Hm Hm Mhm, for “its boldly experimental verve to depict a
 woman revisiting the darker aspects of her childhood.”
Special
 Award was given to Ang Duyan ng Magiting for Best Ensemble Acting, for 
its actors “powerful acting that credibly renders the opposing 
viewpoints in the history of political violence and culture of impunity 
that seem to have bedevilled the Philippines since the turn of the new 
century.”
Hinakdal and 
Rookie won the hearts of the Cinemalaya theater goers and audiences, 
receiving the Audience Choice Award for Short Film and Full-Length 
categories, respectively.




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